Desk Report,
Frida Kahlo — Born on July 6, 1907, this Mexican painter is revered worldwide not only for her extraordinary paintings, but also for her philosophy of life, political ideology, strong stance on women’s liberation, and courage. Frida’s autobiographical paintings are like a map of her own body and mind—where love, separation, illness, obstacles, and self-discovery have repeatedly returned.
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Body, Art, and Status: Frida Kahlo
Frida Kahlo — Born on July 6, 1907, this Mexican painter is revered worldwide not only for her extraordinary paintings, but also for her philosophy of life, political ideology, strong stance on women’s liberation, and courage. Frida’s autobiographical paintings are like a map of her own body and mind—where love, separation, illness, obstacles, and self-discovery have repeatedly returned.
Written by:
Sylvia Nazneen
Updated: 06 July 2025, 21:26
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Graphics: Prothom Alo
There are some artists whom we cannot read simply within the history of art. Again, they do not appear in the history of thought with a single position. Above all, in a way, we ‘connect’ with these artists only by transcending all these thoughts or structural understandings related to art. This relationship is definitely a different way outside of current art thinking, and a novel state of our art practice. Our human crises and solitudes are more elevated here than at other times. As a result, the places we expect from art are also different and emotional here.
The humanization of art may not be, but the need for art here is to retain its appeal to our own minds. As a result, this relationship, like itself, is not merely art—but personal and private. My relationship with Frida Kahlo is inevitably shaped by my own sensitivity to femininity. Frida is one of those rare artists whose connection with art develops on a personal level, from a place of deep and intimate feeling. In her canvases, women’s pain, crisis, strength, and search for self-identity—all are bound up with an inevitable human depth.
Frida’s paintings combine the complexity of the female body and the female psyche, the conflict within women—with culture and society, and the burden of women’s personal pain and remorse. On the one hand, the impact of personal life, on the other hand, the social and political context of women’s experiences are also highlighted in her canvases. As a result, Frida Kahlo is still present as an important figure in contemporary feminist art discussions. We still create new lessons about women’s self-identity and existence through her paintings.
Looking at her paintings, it seems that ‘art’ has become adorable to the world.
